Easy Bass Lessons For Beginners

Easy Bass Lessons For Beginners – Bass players often start by learning popular songs like “Smoke on the Water,” “Someone Else Bites the Dust,” and “Smells Like Teen Spirit.” These are some great songs with simple and accessible basslines for a beginner of any age, and if you’ve taken the first step in learning one of these, you should be proud of your accomplishments so far!

Now that you’ve had a few hiccups, “Now what?” You might be asking yourself.

Easy Bass Lessons For Beginners

If you’ve taken any music lessons or talked to an experienced player, there’s no doubt that someone has learned “Seven Nation Army”. If you don’t know the name, watch the first 30 seconds of the song; You heard that right! Although the White Stripes don’t have a bass player, Jack White plays this lead guitar riff with an octave pedal—a guitar instrument that lowers the guitar’s pitch and gives it a deep rhythmic sound—so he does. Playing on bass is very reasonable. So without further ado, let’s get this light rider off the ground first!

Free Beginner Bass Introduction

“Why learn this song as a beginner?” You might ask. Simply put, the main riff only uses five notes and they all fall on the same chord. Additionally, these notes have an E minor scale. The first note of the song (the seventh fret of your A string, E) will serve as your root note. The climb to the tenth fret is a minor third, and the song requires a descent to hit the seventh, sixth, and fifth. To better understand which notes are used and when, play your E minor scale and try to figure out where each note falls!

The 2000s failed to deliver the cheesy pop-punk, emo hair and hard basslines. This 2005 emo anthem is no different. Pete Wentz uses not only his signature accuracy, but also his lead level to write a recognizable and memorable baseline!

“Dance, Dance” is played in the key of B minor, corresponding to the minor of D major. The dissonant groove in this baseline is created using only four notes in this key: the root (D), the perfect fourth (G), the perfect fifth (A), and the relative (B). Using the scale not only reinforces the technique behind writing a bass line, but the most popular songs of the last 70 years have consisted of these four notes. Turn this bassline on its neck and you’ll have four major chords in any key!

In this Mercury and Bowie collaboration or sampled in the 1990 song Vanilla Ice, this bass line makes both songs instantly recognizable from the first two seconds of music. And lucky for us, it’s one of the easiest in the book.

Sight Reading For Bass Guitar

Continuing the simple jump pattern between two notes, “Under Pressure” teaches the beginning bassist how to make a quick transition between eighth notes and sixteenth notes. The triple sense this leap creates from John Deacon’s consistent selection work makes it a fun and easy learning experience. Plus, you learn to play two songs by learning one!

Any intermediate bassist, seasoned player or musician will say the same thing – triplets are a difficult concept to learn and an even more difficult concept to teach. If a bass player can wrap their head around the “swing feel” while playing their first few songs, this concept can be explained by adding a note between two of your swing notes. But the idea behind compressing three notes into a space that would traditionally hold only two is hard to grasp.

No sweat, I promise. We’ve all heard the title track from AC/DC’s masterpiece “Back in Black” — whether it’s at a barbecue with your dad’s friends, in your metal elitist cousin’s basement, or on the radio. Cliff Williams maintains a triplet feel by hitting three consecutive sixteenth notes in his verses so as not to confuse the new bass players of the world. As mentioned, triplets can also be difficult to explain to your teacher, and this is a great way to begin the transition from simple sixteenth notes to the basic use of triplets. Baby steps, am I right?

Although this baseline uses the same minor scale that we mentioned in all the entries, “Come Along” uses a technique called “sliding”. For those of you who don’t know, slide is exactly what it sounds like – start with the lowest note on the bass neck and move your finger to the highest note, touching every note in between. McCartney starts on the D note (fifth fret, one string) and slides up to hit the perfect fourth and fifth (10th and 12th frets, respectively). The slide from your 5th fret to your 10th fret can be a bit awkward at first, but this technique is so important in any genre of bass playing that you’ll get better at your first few studies.

Guitar Lessons, Electric, Acoustic, Classical, Bass Guitar Lessons

Okay, you’ve made it this far. Now that we’ve gotten past your typical major and minor tunes, let’s talk about this popular crowd pleaser. Assuming you’ve learned your core metrics before or while reading this article, let’s take it a step further. “Modes” control your key scale by changing which note you start and end on. For example, if you use your C major scale (or Ionic mode), starting and ending on D, it changes to D Dorian mode.

As you may have guessed from the subtitle and previous description, Foster’s The People’s 2010 bass line “Pumped Up Kicks” goes up and down in F Dorian mode. Even non-musicians noticed the song’s bass line when it was released, and it gained even more popularity by reviving it on TikTok. If you’re looking for a great introduction to your mods, be sure to include Pumped Up Kicks in your repertoire.

This Cream classic features the bass work of Jack Bruce. If Bruce is a bass virtuoso, this riff is based on a weak blues scale. A blues scale takes the 6-note hexatonic scale from the 5-note pentatonic scale and adds a “blue note” b5 for flavor. The song starts on the root note of D and moves to IV when the chord changes, the most common chord progression found in thousands of songs.

You can change this riff to any key; Transposing means playing the same notes but changing the root note (in this case the opening note). It’s a great way to practice transposing riffs as you move to different positions on the fingerboard. Practice naming the notes you play as you switch riffs. This will help you learn the entire fretboard. Remember that when you hit the 12th fret, all notes start on a new octave.

Learn To Play Bass Guitar Video Dvd A To Z Easy To Follow Expert Tuition Lessons

“You Really Got Me” is a classic British Invasion song by the Kinks, and it was given new life when Van Halen covered it on their debut album. This is another really basic bass riff that has a full step interval or a two beat interval. The song uses a dulcimer mode, a major scale with the last note lowered by a half step.

The Kinks version begins by playing a simple pattern on the 1st and 3rd frets of the E string. The starting note is the 1st fret (F) and then goes to the 3rd fret (G) in this pattern: FGGFG, FGGFG. In G and A: GAAGA GAAGA goes to 3rd and 5th speed in notes. Finally, it goes to the 3rd and 5th frets of the A string: CDDD, “hangs” on the C note before CDDD, and returns to the first riff. Van Halen’s version is in the key of A, one step higher than the original.

Here’s a monster riff played by Nirvana bassist Chris Novoselic. It was the song that started the grunge explosion and put Seattle on the map. This driving and repetitive riff is great for developing your timing and rhythm. The song is known for its “quiet” verses that build to a loud chorus. In musical terms, this is called dynamics. Flexibility allows the songs to breathe and create tension and release throughout the music.

The song is in FM key and only has a 5-note pattern for the verse and chorus. Follows F, Bb, Ab, Db guitar power chords. Image from the fifth note

Bassists: How To Practice Bass Guitar Effectively

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