I Dream Of Jeannie Costume Wig – At the weekend. She and her belly joined the Hollywood Halloween celebrations at the annual Casamigos Halloween Party.
The 46-year-old actress and model in swimwear is an exact copy of the iconic 60s figure. One commenter shared: Molly’s dress included a tiny pink underwire bra and stunning flowers. Between them, his abs are fairly amazing. (Molly ICYMI showed off her toned body, abs, arms and legs in a bikini while on vacation in Mexico.)
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The mother of three also added a platinum blonde wig with high bangs to complete her transformation. Molly captioned Ginny’s line. “Your wish is my command ✨🔮💎 #idreamofjeannie #casamigoshalloween #mymajor.”
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Not only did Molly cross her arms and blink, but a six-pack arrived. (The suit has no magical powers.) No, his toned torso is the result of years of hard work in and out of the gym. She also posts her workouts on Instagram for fans to follow every Wednesday #WorkoutWednesday.
Molly credits her trainer Laura Keller for her strong body. “This woman changed my body and I can’t thank her enough,” Molly shared on her website. “I’m a big believer in strength training, even if it’s 30 minutes rather than an hour. As long as you do your best, you will see results.”
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Her latest video, Workout Wednesday, provides a good example of strength training with a series of high-intensity intervals. Molly works on deadlifts, lunges, side planks and more.
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Genie is basically the epitome of genies (sorry, Christina Aguilera), and Molly and her belly represented her perfectly.
And has over 10 years of experience in health and wellness journalism. With her husband, daughter, and dog, she is always looking for adventure: training and equipment, hiking, snowboarding, running, and more.
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Fitness gifts for 2022 The editors at WH want to let you know it’s time for a new Apple Watch. Heidi Klum is so tight in sheer lace pants.
I Dream Of Jeannie Costume 2 By Ywimc On Deviantart
Madonna has 🔥 legs in fishnet stockings and a corset IG photo 9 trainer-approved home elliptical trainers All runners die for these gifts Black Friday Bala sale live! Earlier this year I found out that the beautiful Barbara Eden will be a guest on Supanov’s Gold Coast. I was over the moon and decided it was time to make a Ginny Dreaming dress. Most of the fabric was in my stash waiting for the day to be sealed.
Now, while most people dream of being Ginny in her pink dress and blonde hair, I’ve always loved her twin sister, Ginny, who likes to live a little on the naughty side of life. My first step was research. I found as many screenshots of the original outfit as I could, watched other customers make their own versions of the ensemble, and pulled out my DVD collection for further study. Then I went online and ordered the rest of the sewing supplies: Trim, wig, fabric, shoes. Then I broke the outfit down into each component I would be making: skirt, bolero, wig/hat, bodice. It’s easier for me to deal with what needs to be done.
First a skirt. I’ve designed a simple 10 lapel pattern using a great formula I was taught back in my TAFE days (see link). However, instead of tucking the skirt in at the waist, I added ½ of the waist for a fuller fit. I wanted the skirt to float and look original as it was gathered under the attached yoke.
The skirt is made of alternating folds of dark green and light chiffon. I chose synthetics, because many of you know going to conventions can be a hell of a dress and it is much cheaper. Each panel is sewn from the inside with a zigzag stitch. I then machine sewed it. I would later use the hemming function on my overlock to make the sheet, but at the time I didn’t even know my machine could do the *front* with an edge. The yoke of the skirt is a separate piece. I can’t say that I used any particular template. I just took my measurements and drew what I wanted. The front is split on the pleat, the back is seamed (to accommodate the zipper), and there are some curved side seams to keep it snug on the hips. After a few layouts, I had ready patterns. The canvas is made separately using a machine finish and the skirts are sewn with a separate graphic belt and attached to the layer facing the yoke. This allows me to easily remove pieces and adjust the dimensions.
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The only change I will make to the dress is to layer the chiffon from the rest of the chiffon. I didn’t know the skirts were so sheer, and even though they had dance tights underneath, they still looked too revealing for my liking.
Then came the bolero. I looked through my trading patterns and found a pair that seemed to have the right design and stitching. The biggest change I had to make to the pattern was short buttoned sleeves that would curve in and go back to the top at the front of the Cape so it would slip in front of me without hitching. Again, it is made of suede and has a cotton lining. I tried to keep cotton on the chest so it would breathe better in the Queensland summer heat. It is completely wrinkle free so I don’t have to deal with a velvet mattress topper. Finally, I sewed the edges and bought some brushes.
Then I decided to work on the hat and the wig. I’ve worked with wigs a lot before, so I wasn’t too worried about putting them together. Likewise, the hat didn’t scare me because I wore fashion jewelry on top of all my historical outfits. I was worried about putting them together. I decided to make two parts that fit together. Hat and wig. I drew the hat pattern myself on A4 paper. I put the pieces together until I get the right shape and height. Then I made a frame out of glued laminated wood and wire that was put together. I added a layer of wool left over from another project and then a layer of velvet. I then added elastic tabs to secure them to the wig. I decided to trim the inside edge of the hat with cotton twill tape to cover the raw ends of the ugly velvet fluff. The next step was to cut. I started with layers of trims and ruffles. I then cut up two wigs that I bought for the project and made two braided sections that were then sewn to the bottom of the hat. If I were to do it again, I would try to buy a very long wig with a braid. It was a nightmare to get the two braids blended together without a clear line. The reason I use two short wigs is because they cost $8 each.
The next step was to use some larger wig pieces to create a ponytail for the top of the wig. It is, like gold plating, sewn into the central hole of the hat. The piece fits snugly so the strength and my stitches hold it in place. Then I made pieces of mesh out of my gold wire and glued it in place. This is when the overlock came in handy. I tore a strip of chiffon, folded the ends (I figured out how to use it after 15 years of owning a car) and pinned on one side. the other side wraps around my face and lays directly with the wig. For the base wig, I put it on and clipped the end to my chin. I created a curve in the back that ends in a bottom where the hat is attached for mounting. It works really well and I can change the main wig if it gets dirty
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